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In 1984, I lived in the USA. Until I found a place of my own, I bunked with an American friend who was about the same age as me. Our main topic of conversation was 1960s television. Even

though he had grown up in Minneapolis and I had grown up in Geelong, we had both watched many of the same TV shows as kids: Circus Boy (1956–1958), Have Gun — Will Travel (1957–1963), My

Favourite Martian (1963–1966), My Mother the Car (1965–1966), The adventures of Rin Tin Tin (1954–1959), The Whirlybirds (1957–1960) – the list went on and on. Australian television turns 60

this year. After years of anticipating its arrival, Sydney and Melbourne finally got it late in 1956, while the other capital cities had to wait even longer for it. Like Australian

television, I also turn 60 this year. Watching TV is a significant part of my collective memory. Not merely watching TV programs like Hopalong Cassidy (1952–1954), The Mickey Mouse Club

(1955–1958) and The Tarax Show (1957–1970), but watching them while drinking a glass of milk and eating chocolate-coated Tee Vee Snacks. Why did I become an architect? The answer is the

oddball architect Wilbur Post (played by Alan Young) in the TV sitcom Mister Ed (1958–1966). As a 17-year old working class boy in search of a career, it seemed to me that Wilbur had it all:

a pet talking horse, a pretty blonde wife, a modern ranch style house, his best friend as a neighbour, and – to top it off – he worked from home (his office was located in Mister Ed’s

barn). My 30-year-old son doesn’t look back on his early TV viewing experiences with quite the same fondness as I do on mine. Why is this? I suspect because television was no longer a

novelty when he was growing up. His feelings about computer games are probably more akin to mine about television. Indeed, he named his daughter after a 1990 George Lucas computer game. I am

frequently horrified by the amount of useless information stored in my brain. I occasionally find myself singing this little ditty from The Tarax show: “Who’s that peeping round the corner?

Not Jack Sprat or Little Tommy Horner.” Many others also have this ability to recall songs from their TV past. Here, for what it’s worth, are my top ten irritatingly memorable TV

commercials, jingles and themes. 77 SUNSET STRIP How could an address set to music be so catchy? Private eye Stuart Baily (Efrem Zimbalist Jr.) was the epitome of cool sophistication, while

car park attendant Kookie (Edd Byrnes) was a proto-hipster. THE ADDAMS FAMILY The “mysterious and kooky” Addams family was a welcome antidote to the host of seemingly perfect American

families on TV during the 1950s and 60s, such as the Nelsons (The adventures of Ozzie and Harriet), the Cleavers (Leave it to Beaver) and the Stones (The Donna Reed show). THE ADVENTURES OF

SUPERMAN No one could burst through a Styrofoam brick wall quite as convincingly as George Reeves’ Superman. And who — of a certain age — cannot recite the Superman mantra word for word? THE

ADVENTURES OF ROBIN HOOD This line from the theme song says it all: “Feared by the bad, loved by the good, Robin Hood, Robin Hood, Robin Hood.” CANNONBALL Who doesn’t love a TV series with

a pair of long haul truckers for heroes? Hum the Cannonball theme song next time you’re stuck in traffic. ‘DR. MCKENZIES’ MENTHOIDS’ COMMERCIAL Long after it has disappeared from supermarket

shelves, the goateed “doctor” with a Broad Scottish accent continues to annoyingly spell-out his arthritis cure in my brain: “M-E-N, T-H, O-I, D-S.” ‘MORTEIN’ COMMERCIAL Before Bryce

Courtenay began writing blockbusters, this is what he did. THE LIFE AND LEGEND OF WYATT EARP This is yet another catchy biographical theme song. American actor Hugh O’Brian visited Melbourne

in 1960 to bring the famous lawman he played in the TV series to the stage at the Princess Theatre. THE MAN FROM U.N.C.L.E. This has to be one the best opening sequences for a TV series

ever made. As a 12-year old, I wanted to be as cool as secret agent Napoleon Solo (Robert Vaughn). THE MICKEY MOUSE CLUB This theme song became the anthem of the baby boomer generation.

Don’t believe me? Look at the chilling ending to Stanley Kubrick’s anti-Vietnam War film Full Metal Jacket. ------------------------- _In conjunction with Tee Vee at Sixty, Derham will be

giving a number of public talks._