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In the near future, resources on Earth are limited, space pirates fight for control of the moon, and travel into deep space is possible. At least that's the future in _Ad Astra_,

directed by James Gray and starring Brad Pitt. In the new sci-fi movie, Pitt plays astronaut Roy McBride, the son of space hero Clifford McBride, who commanded a mission called the Lima

Project. That mission disappeared somewhere in the outer reaches of the solar system many years ago. But when he learns that his father may still be alive, the younger McBride sets out to

find him. When we spoke with Pitt, now 55, he walked into the room stretching his back and quipping about his age. "I'm just an old guy sitting in chairs," he said. He wears

his years lightly — same piercing eyes and slow smile — though it's been a rough few years for Pitt: a messy, public divorce (still ongoing) from Angelina Jolie; a custody battle over

their six children; getting sober, with a stint in rehab. But _Ad Astra_has been a passion project for Pitt — he's been working on getting it made for years. It deals with themes that

are relevant for both Pitt and James Gray. "We're both fathers ourselves, and we wanted to do something very sincere and raw and painfully honest," he said. "That was our

jumping-off point." ------------------------- INTERVIEW HIGHLIGHTS ON WHAT THE MOVIE TRIES TO IMPART REGARDING MEN AND PROCESSING TRAUMA Well, it's just that. I don't know

that we've been taught to deal with those painful events very well. In fact, we're better at burying them — at least certainly speaking for myself. You know, it's this

Marlboro Man image of: Don't show weakness. But then we were questioning: In doing that, are we actually denying our own feelings? Denying a part of ourselves — a vulnerability, in this

guise of Superman — to really be open for our loved ones, for our sons and daughters, in the sense that we're all flawed; most of us are doing the best we can. And is there a peace of

mind that comes from embracing one's foibles and humiliations as well as our successes? ON WHAT HE DREW ON FOR HIS CHARACTER It seems universal that we all carry great pains, great

feelings of loneliness and regrets. I had a friend who worked in a hospice and he said: The only thing that people talk about is their loves and then their regrets in love, dealing with

love. I thought: Man, that's really interesting. If that's our focus on the way out, better start working on that now. ON IF HIS DIVORCE HAS INFLUENCED HIS PERFORMANCE I would be

exploring it whether there was a script that allowed that or not. A breakup of a family is certainly an eye-opener that as one — and I'm speaking in general again — but as one needs to

understand, I had to understand my own culpability in that, and what can I do better. Because I don't want to go on like this. ON HOW TO EMBRACE A HEALTHIER TYPE OF MASCULINITY FROM A

YOUNG AGE I don't know how to answer that, but it is the question. We seem to be a culture where we will impugn someone for their missteps, but we don't value what is the next

move. And the next move, to me, really defines the character of the individual — to redirect, recalibrate. I see that going on certainly in the workplace, certainly in Hollywood; male and

female interactions that needed to be recalibrated [are] being recalibrated in a positive way. Questions of equality certainly still, still need to be recalibrated. ON ONCE CONFRONTING

HARVEY WEINSTEIN ON BEHALF OF THEN-GIRLFRIEND GWYNETH PALTROW Well, I can only speak to my experience. ... I mean, we're talking about an event in the late '90s, I think it was. I

mean for me, I was just — I'm a guy from the Ozarks, and that's the way we handle things. ... She was going to do a couple more films with him; just had to make sure it wasn't

going to happen again. ON ACTING LESS OVER TIME, AND ON AGING IN GENERAL Yeah, I mean, I have artistic aspirations. There are things I just enjoy that are ... it's not pottery. I mean,

there's amazing ceramicists. In fact, I just got back from Japan, and people dedicate their entire lives to a craft, and so exquisitely done, and I just — I admire that so much. That

kind of quest for that kind of beauty — I feel like that speaks to us, and brings us together. But no, I just see it [acting] becoming less and less as you get older. ... What I find, you

know: What we trade off in looks and dexterity, we gain in wisdom. And I will make that trade any day ... But I [have] certainly lived more of my life than I have left to live. And so I

start thinking about how I want to go out. I have this romantic — it's probably a projection, but — this romantic idea of David Bowie going out with such grace, and full acceptance. And

it really appeals to me. _Sophia Alvarez Boyd and Samantha Balaban produced and edited this interview for broadcast. Patrick Jarenwattananon adapted it for the Web._ Copyright 2020 NPR. To

see more, visit https://www.npr.org.